★★★★★ The Jungle
As you pass through the French Renaissance-inspired elevation of
the Playhouse Theatre and the marble-clad, mirrored foyer, you are suddenly in
the Afghan cafĂ© – a makeshift structure with benches and tables, national
flags, ethnic fabrics and fairy lights that adorn the plywood walls, with the
smell of freshly baked naan bread in the air and the sound of jets flying
overhead. Underfoot there is dirt, bark and mud and it’s not long too before
you are served hot sweet chai tea, with a bottle of Heinz tomato ketchup
perched in front of you. This is the brilliance of Miriam Buether’s set design
– no quick dunk that passes as immersive theatre but what must now be the gold
standard.
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The Afghan Cafe |
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Ammar Haj Ahmad |
The success of The Jungle is ultimately due to the brilliance,
dexterity, skill and passion of the most spectacular 24-strong ensemble. There
were standout performances from Ammar Haj Ahmad as Safi who effectively acts as
the narrator, Mohammad Amiri as Norullah whose boundless vigour and total
dedication is quite beautiful and mesmerising to watch, and John Pfumojena as
Okot, whose performance is emotionally-charged, moving and shrewdly credible.
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Mohammad Amiri |
I must also mention Alex Lawther as 18-year-old Sam, the
unbearable Eton-educated, posh boy millennial, who managed to bring a tear to
my eye, such was the strength and emotion of his passion, dedication and
determination in trying to bring some order to the camp, and ultimately save it
from wilful destruction.
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John Pfumojena |
Stunning directed by Stephen Daldry and Justin Martin, The
Jungle is one of those theatrical experiences that come along too infrequently.
A politically-charged masterpiece that ultimately must be above politics and
should be seen at all costs as it is not often you get to encounter sheer
brilliance!
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